Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Hogarth engraved these six copper plates (1964.254–59) with a burin, a sharp metal tool used to incise swelling lines directly into a flattened copper surface. He worked in reverse of the final printed images, which were produced by inking the plates and running them through a roller press with dampened sheets of paper on top. The small cross at the bottom of each plate was added when Hogarth issued the second state, released over a decade after the first, much copied edition. The prints on view nearby are early second state impressions, made before the addition of other changes and noticeable wear.
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James McNeill Whistler — Fitzroy Square
James McNeill Whistler — Turkeys
Pietro da Cortona — Continence of Scipio
James McNeill Whistler — Bead Stringers
James McNeill Whistler — The Bridge, Santa Marta
Anonymous, Italian, Roman-Bolognese, 17th century — Designs
James McNeill Whistler — Riva, No. 2
Anonymous, Italian, Roman-Bolognese, 17th century — Design f
Francesco Bertos — The Massacre of the Innocents
Style of Bon Boullongne — Three Men Seated at Table (recto);
Circle of Jacopo Sansovino — The Institution of the Rosary
Charles Dominique Joseph Eisen — Study for a Tailpiece