Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Hogarth engraved these six copper plates (1964.254–59) with a burin, a sharp metal tool used to incise swelling lines directly into a flattened copper surface. He worked in reverse of the final printed images, which were produced by inking the plates and running them through a roller press with dampened sheets of paper on top. The small cross at the bottom of each plate was added when Hogarth issued the second state, released over a decade after the first, much copied edition. The prints on view nearby are early second state impressions, made before the addition of other changes and noticeable wear.
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Cesare Dandini — Standing Draped Male Figure, His Left Arm R
James McNeill Whistler — Fitzroy Square
James McNeill Whistler — Turkeys
James McNeill Whistler — Fruit Stall
Francesco Solimena — Ruler Receiving Lady
Pietro da Cortona — Continence of Scipio
Jacopo Ligozzi — Study for the Vision of Saint Francis of As
James McNeill Whistler — The Bridge, Santa Marta
James McNeill Whistler — Bead Stringers
Pierre-Jacques Volaire — Seated Woman
Polidoro da Caravaggio — Mucius Scaevola Crossing the Tiber,
Unknown artist — David Promises Bathsheba that Solomon Will