William Hogarth

Plate three, from A Harlot's Progress

1732, reworked/reissued 1744
Copperplate
32.5 × 39.2 cm (12.8 × 15.4 in)

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In the collection of Art Institute of Chicago, Chicago · as of July 2026

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FROM THE ART INSTITUTE OF CHICAGO’S CATALOG

Hogarth engraved these six copper plates (1964.254–59) with a burin, a sharp metal tool used to incise swelling lines directly into a flattened copper surface. He worked in reverse of the final printed images, which were produced by inking the plates and running them through a roller press with dampened sheets of paper on top. The small cross at the bottom of each plate was added when Hogarth issued the second state, released over a decade after the first, much copied edition. The prints on view nearby are early second state impressions, made before the addition of other changes and noticeable wear.

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More by William Hogarth

The Wedding of Stephen Beckingham and Mary CoxThe Wedding of Stephen Beckingham and Mary CoxPlate two, from A Harlot's ProgressPlate two, from A Harlot's ProgressPlate six, from A Harlot's ProgressPlate six, from A Harlot's ProgressTime Smoking a PictureTime Smoking a PictureSarah MalcolmSarah MalcolmCredulity, Superstition, and FanaticismCredulity, Superstition, and FanaticismPaul Before Felix BurlesquedPaul Before Felix BurlesquedThe Times, Plate 1The Times, Plate 1

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