Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Here Hogarth’s titular harlot, Moll Hackabout, enjoys life as the mistress of a wealthy man. In order to allow her lover, seen hiding in the background, to escape, Moll distracts the master of the house by overturning a table and enticing him with a view of her chest. The two paintings of Old Testament scenes on the wall underscore the moral depravity of Moll’s situation. Because of her careless antics and seemingly boundless sexual appetite, however, Moll will soon be returned to the brothel from which she was effectively purchased.
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Jean Honoré Fragonard|Jean-Louis Delignon|Pierre Didot l'ain
Jean de La Fontaine|Jean Honoré Fragonard|Jean-Baptiste Till
Jean Baptiste Blaise Simonet — Le danger du tête-à-tête (The
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Gérard Vidal — English Breakfast
Jean de La Fontaine|Jean Honoré Fragonard|Jean-Baptiste Till
Nicolas Joseph Voyez — The Director
Nicolas Delaunay — Le carquois épuisé (The Empty Quiver)
Jean de La Fontaine|Jean Honoré Fragonard|Jean-Louis Deligno
Jean Michel Moreau the Younger|Restif de La Bretonne|Robert
Jean Honoré Fragonard|Jean de La Fontaine|Jean-Baptiste-Mich
Nicolas Delaunay — Consolation