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In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
William Hogarth illustrated the story of a sad-sack adventurer named Hudibras in twelve engravings. His source was Samuel Butler’s satirical, mock-heroic poem written in the vein of Cervantes and Rabelais. Ridiculing the puritan party’s attempts to overthrow the British monarchy during the Great Civil War of 1640, Butler’s poem exposes the hypocrisy and pretensions of the Presbyterians, Independents, and Zealots who hoped to establish themselves as leaders. Here, Hudibras appears in this large crowd scene as a masked dummy about to burnt. A row of London butcher shops is the setting for a protest against the “Rump Parliament,” a political body that had replaced much of the previous government during the English Civil War. Protester at this historical event in 1659 did in fact burn beef rumps in the streets as well as political effigies.
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William Hogarth|Samuel Butler — Burning the Rumps at Temple
Jacques Callot — The Wheel, plate fourteen from The Miseries
Gerrit Lucasz van Schagen — The Wheel, plate fourteen from T
William Hogarth|Samuel Butler — Burning the Rumps at Temple
Hendrick Goltzius — Imperiled Litigation, from Litis Abusus
William Hogarth|Henry Overton and J. Hoole|Samuel Butler — B
Jean Baptiste Tilliard, I — Release from College, from The G
Gerrit Lucasz van Schagen — Destruction of a Convent, plate
Zacharias Dolendo (Dutch, 1561–1604) — Passion Set: Ecce Ho
Stichter, erven weduwe Cornelis — Hier ziet ge, ô kinde
Jacques Callot — Destruction of a Convent, plate six from Th
Jacques Callot — The Stake, plate thirteen from The Miseries