Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Callot packed 1138 people, 45 horses, 67 donkeys, and 137 dogs into this huge plate. For this etching he devised a slanted, cylindrical steel tool that he could wield to achieve a swelling line akin to that of engraving but without the effort. His development of repeated acid baths to etch some lines more deeply than others to achieve the persuasive recession and atmospheric effects for which this print is famous.
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Sketches for the Balli di Sfessania (recto) Sketches of Danc
The Combat of Avigliamo
The Feast of Saint James, Florence, July 25, 1619
The Fair at Impruneta
The Palace Gardens at Nancy
Les Miseres Et Les Mal-Heurs De La Guerre...Israel
The Temptation of Saint Anthony (second version)
Franca Trippa - Fritellino, from the Balli di Sfessania
Jacques Callot (French, 1592–1635) — The Fair at Impruneta
Jacques Callot|Israël Henriet — Plate 7: A town being sacked
Sébastien Leclerc I — Alexander Entering Babylon
Gerrit Lucasz van Schagen — Plundering and Burning a Village
Bartolomeo Fenice (Fénis)|Domenico Gamberti — After a Long S
Jacques Callot (French, 1592–1635) — The Large Miseries of W
Jacques Callot|Israël Henriet — Pillage et Incendie d'un Vil
Stefano della Bella — Part of the Entrance of the Polish Leg
Jacopo Leonardis — The Tooth Puller, plate nine from Selecti