Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
The Witches' Sabbath was said to be the meeting of sinister forces for devil worship through dancing, feasting, or sacrifices. In depicting this orgy of bodies and monsters, artists often borrowed from religious imagery. Numerous Renaissance images provided Jacques Callot with a litany of fantastic creatures for his widely influential Temptation of Saint Anthony , depicting the steadfast saint as he endures the mental and spiritual tortures of hell.
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Sketches for the Balli di Sfessania (recto) Sketches of Danc
The Combat of Avigliamo
The Feast of Saint James, Florence, July 25, 1619
The Fair at Impruneta
The Palace Gardens at Nancy
Les Miseres Et Les Mal-Heurs De La Guerre...Israel
Franca Trippa - Fritellino, from the Balli di Sfessania
Le Grand Rocher (The Great Rock)
Jacques Callot — The Temptation of Saint Anthony
Jacques Callot|Israël Henriet — The Temptation of St. Anthon
Jacques Callot — The Temptation of Saint Anthony
Cornelis Dusart — The Village Festival
Abraham van Diepenbeeck — Hell
Daniel van den Bremden — The Triumphal Car of Prince Hendrik
Gerrit de Heer — The Resting Gypsy Family in Front of a Ruin
Cornelis Dusart (Dutch, 1660–1704) — Village Fair
Giovanni Battista Piranesi (Italian, 1720–1778) — The Monume
Pierre Brébiette (French, c. 1598-c. 1650) — St. George Prep
Jacques Callot|Henri Humbert — Entrée de MM. de Couvonge et
Franz Joachim Beich — Maximilian Emanuel and the Bavarian Ar