Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Callot's innovative formulas and techniques for etching included a process of stepped acid baths to achieve greater tonal variation from foreground to background.
Be the first to share your thoughts.
Sign in to join the discussion.
The Combat of Avigliamo
The Feast of Saint James, Florence, July 25, 1619
The Palace Gardens at Nancy
Les Miseres Et Les Mal-Heurs De La Guerre...Israel
The Temptation of Saint Anthony (second version)
Franca Trippa - Fritellino, from the Balli di Sfessania
Le Grand Rocher (The Great Rock)
La Fiore de Gondreville pièce appelée aussi La Fête du Villa
Bartolomeo Fenice (Fénis)|Domenico Gamberti — After a Long S
Jan Luyken — Melchizedek Blessing Abraham
Lievin Cruyl (Flemish, c. 1640-c. 1720) — Foro Romano from "
Antonio Canaletto (Italian, 1697–1768) — Views: Prà della V
Bartolomeo Fenice (Fénis)|Domenico Gamberti — Francesco I d'
Bartolomeo Fenice (Fénis)|Domenico Gamberti — Francesco I d'
Jacques Callot|Lorenzo de' Medici — La Course de Chevaux sur
Bartolomeo Fenice (Fénis)|Domenico Gamberti — Francesco I d'
Antonio Canaletto (Italian, 1697–1768) — Views: Church of S
Bartolomeo Fenice (Fénis)|Domenico Gamberti — Francesco I d'
Jacques Callot — Le Parterre de Nancy ou Jardin de Nancy (Th
Jacques Callot|Lorenzo de' Medici — La Course de Chevaux sur