Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Giovanni Domenico Tiepolo made several small paintings to gratify the 18th-century predilection for images of contemporary Venetian life. His depictions of common people, Carnival, and the improvisational commedia dell’arte theater grew in popularity when translated into print by Jacopo Leonardis. The Tooth Puller shows a festival scene in which a quack dentist operates on a helpless victim writhing in pain; meanwhile his colleague waves an extracted tooth and rants at the largely indifferent revelers. The text below, added by Leonardis, further lampoons the prankster’s conduct:Now with his voice, now with his hand Now money, now teeth extracts the Charlatan.
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Giacomo Leonardis|Giovanni Domenico Tiepolo — The Quack Dent
Jacques Callot (French, 1592–1635) — The Slave Market
Jacques Callot — The Slave Market
Jacques Callot — The Slave Market
Jacques Callot — The Slave Market
Giacomo Leonardis|Giovanni Domenico Tiepolo — The Minuet
Jacques Callot — Le Marché d'Esclaves, estampe appelée aussi
Jacques Callot — Le Marché d'Esclaves, estampe appelée aussi
Jean I Leblond|Abraham Bosse — Giving Drink to the Thirsty (
Abraham Bosse|Jean I Leblond — The Gallery of the Palace of
Jean Louis André Théodore Géricault — The Sleeping Fishmonge
Allart van Everdingen — The Second Spring