Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
In a panorama of mountains and expanses of water, three gentlemen have assembled by moonlight to enjoy one another’s company away from a bustling village. An influx of ink paintings from China in both album and scroll formats beginning in the late 1200s inspired Japanese artists to create landscapes based upon Chinese prototypes. Later, Japanese painters adapted the imagery to the larger format of folding screens, which were used to define spaces in large rooms.
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Kano Tan’yū (Japanese, 1602–1674) — The Four Seasons
Yi Sumun (Korean, b. c. 1404) — Landscape of the Four Season
Maruyama Ōkyo (Japanese, 1733–1795) — Summer Night; Winter D
Landscape
Chinese Landscape
Moonlit Landscape
Kano Naonobu (Japanese, 1607–1650) — Summer and Winter Lands
Kano Tan’yū (Japanese, 1602–1674) — The Four Seasons
Kano Shōei (Japanese, 1519–1592) — The Four Accomplishments
Moonlit Landscape (one of a pair)
Chinese Landscape
Landscape