FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
The Japanese term for beggar, kojiki, derives from the word kotsujiki, which refers to Buddhist monks taking bowls from door to door to request sustenance. The son of the artist Suian Bunrō, Suian Hirafuku was born in Kakunodate in Japan’s northern Akita prefecture. When he was 16, he went to study in Kyoto. In 1880 he took first place with another painting titled Beggar at the third Akita Prefectural Industrial Exposition, and in 1890, he took second prize for technical achievement with Nursing Tigress at the third National Industrial Exposition.
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Katsushika Hokusai|Unidentified artist
Fachang Muqi (Chinese, 1220–1280) — Dragon
Yamaguchi Sekkei (Japanese, 1644–1732) — Swallows
Kenkō Shōkei (Japanese, active 1478–1506) — Kingfisher Perch
Nakayama Kōyō (Japanese, 1717–1780) — Aged Pine
Shūgetsu Tōkan (Japanese, 1440?–1529) — Haboku (Flung-ink) L
Yishan Yining [Issan Ichinei] (Chinese, 1247–1317) — Reeds a
Shingo (Japanese) — Bodhidharma on a Reed
Kono Bairei (Japanese, 1844–1895) — Dancer in a Fisherman's 
Hirowatari Setsuzan (Japanese, ?-1674) — Mountain and River 
Uragami Gyokudō (Japanese, 1745–1820) — Forbidden to the Vul
Seated Priest