Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Pompeo Batoni was one of the foremost religious painters working in Rome in the 18th century. This sheet of studies was preparatory for his painting Saint Bartholomew (1740/45; private collection, Rome). It was part of a series of canvases representing Christ’s apostles commissioned by Count Cesare Merenda, Batoni’s most dedicated patron, for his gallery in the town of Forlì in central Italy—the Art Institute owns the Saint Andrew oil. The presence of squaring in red chalk suggests the studies on this sheet were ready to be transferred to the canvas.
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Nicolas Mignard — Sketches of Robed Male Prophet
Giuseppe Cesari — Man Tugging on Sheet: Study for the Entomb
Nosadella (Giovanni Francesco Bezzi) — Kneeling Bearded Old
Michelangelo Buonarroti — Moses
Raphael — Standing Man, Pointing with Right Hand
Unknown — Neptune
Victor-François-Eloi Biennourry — Standing Soldier: Study fo
Unknown Tuscan — Saint John the Baptist (or Christ) Preachin
Giuseppe Porta, called Giuseppe Salviati — Seated Prophet or
Circle of Agnolo Bronzino — Academic Male Nude
Vincenzo Tamagni — Sketches of Virgin and Child, Seated Figu
Bernardino Campi — Bearded Old Man Seated with Left Arm Ext