Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
This painting is a sketch for a large altarpiece. The rough, flickering surface, the unusually sharp contrast of hot and cool hues, and the compression of space all characterize the artist’s intense spirituality and unique technique. While often held apart from the sweetness and grace of Murillo (also represented in the collection), his contemporary in Seville, the two artists worked closely together on commissions and often presented their work side by side, speaking to the stylistic diversity and religious complexity preferred by patrons in Seville during the late 1600s.
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Peter Paul Rubens — The Virgin as the Woman of the Apocalyps
Juan de Valdés Leal — The Assumption of the Virgin
Peter Rubens — The Incarnation as Fulfillment of All the Pro
Sebastiano Ricci (Italian, 1659–1734) — Study for "An Apothe
Peter Paul Rubens — The Coronation of the Virgin
Studio of Sir Peter Paul Rubens — The Assumption of the Virg
The Glorification of Saint Dominic
Giovanni Battista Pittoni (Italian, 1687–1767) — Saints Pres
Jacob de Wit — Allegory of the Arts
François Ragot|Peter Paul Rubens — The Assumption of the Vir
Anonymous, Italian, Roman-Bolognese, 17th century — Saint Mi
Peter Paul Rubens — The Glorification of the Eucharist
