Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Technical developments in printmaking techniques allowed artists to reproduce the tonal complexities of painted compositions. In this woodcut after a design by Titian, the cutter accomplished a lively sense of differentiated surfaces through the use of graphic patterns. The dynamic lines of the landscape serve to heighten Francis’s gesture of religious rapture.
Be the first to share your thoughts.
Sign in to join the discussion.
Niccolo Boldrini (Italian, c. 1500–after 1566) — Saint Franc
Lucas Cranach the Elder — Saint Christopher
Salvator Rosa (Italian, 1615–1673) — Diogenes and His Cup
Titian (Italian, c. 1488–1576) — The Submersion of Pharaoh's
Frans Crabbe van Espleghem|Nicolaas Hogenberg — Scenes from
Albrecht Dürer (German, 1471–1528) — Joachim and the Angel
Lucas Cranach the Elder — Saint Christopher
Albrecht Dürer (German, 1471–1528) — The Life of the Virgin:
Albrecht Dürer — Joachim and the Angel, from "The Life of th
Albrecht Dürer (German, 1471–1528) — Christ on the Mount of
Giulio Bonasone (Italian, c. 1510–after 1576) — Silenus and
Lucas Cranach the Elder — Saint Christopher