Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
To make this monumental woodcut—considered one of the most ambitious prints of the Renaissance—Titian probably drew directly on the wooden blocks, after which a skilled cutter completed the blocks. The size rivals that of a painting, and the composition would have hung on a wall. Titian’s bold vision presents nature as a vehicle of God’s mercy and wrath. Moses, at right, having parted the seas for the Israelites to pass, commands them to close over the Egyptian forces (Exodus 14:21–31). Titian propelled the narrative with remarkable unity, dedicating entire blocks to the turbulent sea and rolling clouds that culminate in a magnificent cliff and Renaissance city. Some have interpreted the scene as an allegory of Venice’s troubles with the League of Cambrai, a military alliance that threatened the island city.
Be the first to share your thoughts.
Sign in to join the discussion.
Niccolo Boldrini (Italian, c. 1500–after 1566) — Saint Franc
Domenico Campagnola (Italian, 1500–1564) — The Assumption of
Jean Duvet (French, 1485–1561) — Huntsman Presenting a Gift
Albrecht Dürer (German, 1471–1528) — The Repose in Egypt
Giulio Bonasone (Italian, c. 1510–after 1576) — Silenus and
Hans Weiditz (German, c. 1495-c. 1536) — The Agony in the Ga
Wolf Traut (German, c. 1486–1520) — Christ Taking Leave of h
Albrecht Dürer (German, 1471–1528) — The Circumcision
Albrecht Dürer (German, 1471–1528) — St. Christopher with th
Hans Baldung (German, 1484/85–1545) — Lamentation
Albrecht Dürer (German, 1471–1528) — Life of the Virgin: Ad
Niccolo Boldrini (Italian, c. 1500–after 1566) — Adoration o