Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
During the sixteenth century, the woodcut was elevated to an art form in itself and was no longer reserved solely for book illustration. In Venice, the popularity of the woodcut was heightened by numerous reproductions of the works of Titian and his circle, which were often commissioned by Titian himself. Boldrini made several woodcuts after drawings by the Venetian master.
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Niccolo Boldrini (Italian, c. 1500–after 1566) — Landscape w
Titian (Tiziano Vecellio)|Nicolò Boldrini — Landscape with a
Jan van Londerseel (Dutch, 1578–1625) — Landscape with Trave
Hans Bol — Plate 11, from Landscapes with Scenes from the Ol
Hans Bol — Plate 7, from Landscapes with Scenes from the Old
Hans Bol — Plate 10, from Landscapes with Scenes from the Ol
Albrecht Dürer — Saint Eustace
Titian (Tiziano Vecellio)|Giovanni Britto|Nicolò Boldrini —
Claude Lorrain (Claude Gellée) — Shepherd and Shepherdess Co
Joseph Anton Koch — Roman landscape with figures near Palian
Albrecht Dürer — Saint Eustace
Hans Bol — Plate 12, from Landscapes with Scenes from the Ol