Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
The first three woodcuts of Dürer’s narrative (1959.99.2-4) portray the events leading up to the Virgin’s birth. According to an apocryphal text, Mary’s parents, Joachim and Anna, had remained childless into old age. After Joachim’s offering at the temple was rejected for this reason, the angel Gabriel appeared to him in the wilderness to announce that his wife would soon bear a child. At this news, the two tenderly embraced at the city’s gate.
Be the first to share your thoughts.
Sign in to join the discussion.
Albrecht Dürer — Joachim and the Angel, from The Life of the
Albrecht Dürer — Joachim and the Angel, from "The Life of th
Albrecht Dürer — Joachim and the Angel, from The Life of the
Albrecht Dürer — Joachim and the Angel, from "The Life of th
Albrecht Dürer — The Angel with the Key to Bottomless Pit
Albrecht Dürer — Joachim and the Angel, from The Life of the
Hans Wechtlin (German, 1480/85–after 1526) — St. John on the
Albrecht Dürer — The Angel with the Key to the Bottomless Pi
Niccolo Boldrini (Italian, c. 1500–after 1566) — Saint Franc
Albrecht Dürer — Angels Restraining the Four Winds
Albrecht Dürer — Christ on the Mount of Olives, from "The Sm
Albrecht Dürer — The Holy Family with the Three Hares