William Hogarth

Plate three, from A Harlot's Progress

1732
Engraving in black on ivory laid paper
30 × 37.5 cm (11.8 × 14.8 in)

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In the collection of Art Institute of Chicago, Chicago · as of July 2026

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FROM THE ART INSTITUTE OF CHICAGO’S CATALOG

In this print Moll has gone from being the kept woman to a common prostitute, with markedly shabbier surroundings and a servant whose nose has been partially eaten away by syphilis. Hogarth even posted a print by her bed depicting the highwayman Macheath, antihero of the wildly popular Beggar’s Opera , to suggest the rough company she keeps. She is oblivious as magistrates enter the sparsely furnished room to arrest her.

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