Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The authorship of this print remains disputed, with scholars attributing the landscape either to Jacques Callot or his student, François Collignon. What is uncontested about the piece is the high quality of the etching, done in soft ground to give the image a gentle, atmospheric feel. Callot skillfully etched in a style that replicated pen-strokes, aided by the échoppe , a needle of his own invention that enabled him to etch lines that swelled and thinned like an engraver’s. Here, Callot’s name in the banner and the name of the publisher were likely engraved, but the landscape and frame are purely etched.
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Sketches for the Balli di Sfessania (recto) Sketches of Danc
The Combat of Avigliamo
The Feast of Saint James, Florence, July 25, 1619
The Fair at Impruneta
The Palace Gardens at Nancy
Les Miseres Et Les Mal-Heurs De La Guerre...Israel
The Temptation of Saint Anthony (second version)
Franca Trippa - Fritellino, from the Balli di Sfessania
François Collignon|Israël Henriet|Jacques Callot — Title Pag
Michele Marieschi (Italian, 1710–1743) — Views of Venice: T
Hanns Lautensack (German, 1524–1566) — Panoramic View of Nur
Anonymous — Fishermen on a river across from a town
Hanns Lautensack — View of Nuremberg, to the east, center pl
Lievin Cruyl (Flemish, c. 1640-c. 1720) — St. Angelo from "P
Stefano della Bella|Antonio Francesco Luccini|Cammillo Campi
Bartolomeo Fenice (Fénis)|Domenico Gamberti — Francesco I d'
Lievin Cruyl (Flemish, c. 1640-c. 1720) — Trajan's Column fr
Michele Marieschi (Italian, 1710–1743) — Views of Venice: C
Giovanni Domenico de Rossi|Cardinal Camillo Pamphili|Antonio
Giovanni Larciani ("Master of the Kress Landscapes") — Decor