Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
More than 26 feet long, this scroll presents insects, reptiles, and plants in delicate brushwork and pale colors, referring in style to earlier Southern Song dynasty (1127–1279) bird-and-flower paintings. Upon closer inspection, ants dismember a butterfly and reptiles wait to ambush their prey. An inscription at the end of the painting gives us an idea of its meaning: Attributed to the Qing dynasty scholar Zhang Xigeng (張錫庚, 1801–1861), the inscriber relates the work to an earlier painting by Qian Xuan (錢選, c. 1235–before 1307) and further suggests that the painting may allude to the relentlessness of natural selection. By drawing a parallel to tumultuous episodes in Chinese history, the writer might even hint at the domestic rebellions and the aggression of Western powers against China in his lifetime, particularly the Opium Wars (1839–60).
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Hokusai School
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