Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
In this painting, flowers are loosely arranged by the seasons: narcissus and peony represent early spring; yellow loquat and lotus, summer; chrysanthemum, autumn; and the plum and evergreen bamboo, winter. The artist added to each flower a poetic line of calligraphy associating each plant with a historic or legendary figure. For example, the chrysanthemum, along with the line “The untrammeled joy at the eastern fence,” refers to the poet Tao Yuanming (died AD 427) who enjoyed chrysanthemums at the eastern fence in his garden. The scroll illustrates Wang Guxiang’s mastery of free brushwork, combining light monochrome ink with transparent colors. In his inscription, Wang says he used the “boneless” style without outlines as developed during the Yuan dynasty (1279–1368). Wang was a native of Changzhou, a city in southeast China known for its rich flora and fauna, and flower-and-bird painting tradition.
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Insects and Flowers
Cheng Zhengkui (Chinese, 1604–1676) — Dream Journey among Ri
Wang Hui (Chinese, 1632–1717) — Hall of Lofty Pines
Shitao (Chinese, 1642–1707) — Rocks, Orchid, and Bamboo
Tang Yin (Chinese, 1470–1523) — Scholar-Hermits in the Autum
Xie Huan (Chinese, c. 1370-c.1450) — The Nine Elders of the
Shi Rui (Chinese, c. 1400-c. 1470) — Waiting for the Moon in
Du Qiong (Chinese, 1396–1474) — Mt. Taibo in the Style of Wa
Li Sheng (Chinese, active c. 1324–after 1375) — Buddha's Con
Unidentified artist — 明 佚名 舊傳夏珪 長江萬里圖 卷 (後半)|Second half of
Zou Zhe (Chinese, c. 1610-before 1688) — Autumn Mist in the
Gu Tianzhi (Chinese, active mid-1600s) — Landscape in the St