● On view now — Gallery 236
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This sculpture of the crucified Christ reportedly came from a church in Banyoles in northeastern Spain. It was displayed between the choir and the nave, which was the space reserved for the congregation. Originally painted and gilded, it would have provided a dramatic focal point for the faithful. Christ’s figure, with drooping head, closed eyes, and limp body, emphasizes his humanity and suffering. This resigned treatment of the crucified Christ gained currency around 1200, in contrast to more upright and triumphant representations of Christ on the cross of earlier centuries.
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Jacques de Baerze — Corpus of Christ, from the Altarpiece of
Florentine — Corpus and Superscription Plaque
Tuscan — Corpus from a Processional Cross
Alessandro Algardi — Crucifix
Flemish — Christ on the Cross
Nevers, France — Crucifix
Mosan; Meuse River Valley or German; Rhineland — Crucifix
Master of Santa Chiara (Italian) — Processional Cross
Southern Germany — Orphrey Cross (Needlework)
Giovanni Antonio da Pesaro — Crucifix
Francisco de Zurbarán — The Crucifixion
Pietro di Francesco Orioli — Processional Crucifix