William Hogarth

Hudibras and the Lawyer, plate twelve from Hudibras

February 1725/26
Etching and engraving in black on cream paper edge, mounted on cream wove paper
24.5 × 34.4 cm (9.6 × 13.5 in)

SEE IT IN PERSON

Not currently on view

In the collection of Art Institute of Chicago, Chicago · as of July 2026

View at artic.eduPlan a visit ↗

Discussion

FROM THE ART INSTITUTE OF CHICAGO’S CATALOG

William Hogarth here depicted Hudibras’s visit to a lawyer who encourages the knight to write a letter to the woman he is courting. Just as Hudibras is a play on the popular figure of the “heroic knight,” Samuel Butler used his past experience in law to satirize the lawyer. Hogarth translated Butler’s humorous critique into the engraving by showing a robed and wigged lawyer sitting in his office like a king on his throne. Hogarth’s engravings of Butler’s satirical epic summarize the social and political environment in England with the same cleverness and wit seen in his later works, including the Marriage à la Mode and A Harlot’s Progress .

Source ↗

Be the first to share your thoughts.

Sign in to join the discussion.

Community guidelines

More by William Hogarth

The Wedding of Stephen Beckingham and Mary CoxThe Wedding of Stephen Beckingham and Mary CoxPlate two, from A Harlot's ProgressPlate two, from A Harlot's ProgressPlate three, from A Harlot's ProgressPlate three, from A Harlot's ProgressPlate six, from A Harlot's ProgressPlate six, from A Harlot's ProgressTime Smoking a PictureTime Smoking a PictureSarah MalcolmSarah MalcolmCredulity, Superstition, and FanaticismCredulity, Superstition, and FanaticismPaul Before Felix BurlesquedPaul Before Felix Burlesqued

More like this

Hudibras and the Lawyer (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 12)Philip Overton|John Cooper|William Hogarth|Samuel Butler — HHudibras and the Lawyer (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 12)William Hogarth|Samuel Butler — Hudibras and the Lawyer (TweThe Barber (le Barbier)Abraham Bosse|Jean I Leblond — The Barber (le Barbier)The Prodigal Son in a House of Ill ReputeAbraham Bosse|Jean I Leblond — The Prodigal Son in a House oThe ShoemakerAbraham Bosse|Jean I Leblond — The ShoemakerShoemaker (Le Cordonnier)Abraham Bosse|Jean I Leblond — Shoemaker (Le Cordonnier)The Prodigal Son Leaves HomeAnonymous|Abraham Bosse — The Prodigal Son Leaves HomeThe Prodigal Son in a House of Ill Repute (L'Enfant prodigue dans une maison de débauche, version couvert)Abraham Bosse|Jean I Leblond — The Prodigal Son in a House oOld Age, plate four from Depicting the Four Ages of ManAbraham Bosse — Old Age, plate four from Depicting the Four The Gallery of the Palace of JusticeAbraham Bosse|Jean I Leblond — The Gallery of the Palace of The Prodigal SonAbraham Bosse (French, 1602–1676) — The Prodigal SonThe Prodigal Son Changes His ClothesAbraham Bosse|Jean I Leblond — The Prodigal Son Changes His