Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
This pair of screens depicts episodes from the stories of famed Song-dynasty poets Su Shi of the 1000s and Zhou-dynasty official Pan Lang of the 900s. Both men were banished by their rulers for their perceived missteps. Su Shi’s comments on a series of economic reforms were seen as criticism of the emperor. Pan Lang composed an ill-advised verse about one of the king’s horses. In the left screen Pan rides backward on his donkey as he returns from exile so that he may have a last look at his now beloved Mount Hua. Su Shi, in the right screen, is shown embarking on his journey into exile. The artist of these screens, Unkoku Tōgan, was the founder of the Unkoku school of painting, which emulated the style of renowned ink painter Sesshū Tōyō (1420–1506). Tōgan was the official painter of the Mori family of what is now Yamaguchi prefecture in the south of Japan.
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Josui Sōen (Japanese, active c. 1489–1500) — Chinese Literat
Maruyama Ōkyo (Japanese, 1733–1795) — Literary Gathering in 
Kano Tan’yū (Japanese, 1602–1674) — Chinese Sages
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Hasegawa Sakon 長谷川左近 — 群仙図屏風|Immortals
Shikibu Terutada (Japanese, active mid-1500s) — Pan Lang (Ha
Kano Tan’yū (Japanese, 1602–1674) — Seven Sages of the Bambo
Kano Tan’yū (Japanese, 1602–1674) — Four Elders of Mt. Shang
Watanabe Shikō (Japanese, 1683–1755) — Eight Views of the Xi
Matsumura Goshun — 蓮生法師図|Monk Renshō Riding His Horse Backwa
