Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Now comprising three scrolls, this composition was originally a set of four paintings depicting the seasons. The set is among the most important of the artist’s surviving works. Each painting was executed in the gyō mode, indicating a speedy brush with rounded strokes. The terms shin (formal), sō (cursive), and gyō (semicursive), borrowed from calligraphy terminology, are terms commonly used by connoisseurs to describe brushwork in ink paintings.
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Zhang Shanghe — 清 張上龢 山水 軸|Landscape
Kano Chikanobu (Japanese, 1660–1728) — Chinese Landscape
Shūgetsu Tōkan (Japanese, 1440?–1529) — Landscapes with Figu
Urakami (Uragami) Gyokudō 浦上玉堂
Wang Hui|Unidentified artist — 清 (傳)王翬 雪景山水圖 軸|Snowscape
Fa Ruozhen — 清 法若真 雲山圖軸|Cloudy Mountains
Sakaki Hyakusen
Kano Tansui Moritsune — 狩野探水守常筆 蓬莱山・瀟湘八景図|Mount Penglai with
Lan Ying (Chinese, 1585–after 1664) — Clearing Autumn Mists
Bokushō Shūshō — 牧松周省筆 破墨山水図|Splashed-Ink Landscape
Ten’in Ryūtaku|Unidentified — 天隠龍澤筆 山水図|Landscape
Wang Hui|Wang Hui — 清 王翬 倣李成雪霽圖 軸|Snow Clearing: Lands