Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Now comprising three scrolls, this composition was originally a set of four paintings depicting the seasons. The set is among the most important of the artist’s surviving works. Each painting was executed in the gyō mode, indicating a speedy brush with rounded strokes. The terms shin (formal), sō (cursive), and gyō (semicursive), borrowed from calligraphy terminology, are terms commonly used by connoisseurs to describe brushwork in ink paintings.
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Nukina Kaioku
Zhang Shanghe — 清 張上龢 山水 軸|Landscape
Kano Tansui Moritsune — 狩野探水守常筆 蓬莱山・瀟湘八景図|Mount Penglai with
Sesshū Tōyō (Japanese, 1420–1506) — Returning Sails off a Di
Urakami (Uragami) Gyokudō 浦上玉堂
Shūgetsu Tōkan (Japanese, 1440?–1529) — Landscapes with Figu
Genga (Japanese) — Bamboo in Wind
Dong Qichang — 明 董其昌 秋山圖 軸|Autumn Mountains
Shūgetsu Tōkan (Japanese, 1440?–1529) — Landscapes with Figu
Ten’in Ryūtaku|Unidentified — 天隠龍澤筆 山水図|Landscape
Zhai Dakun (Chinese, d. 1804) — Landscape
Dong Yuan|Unidentified artist — 明/清 佚名 舊傳董源 山水圖 卷|La
