Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Now comprising three scrolls, this composition was originally a set of four paintings depicting the seasons. The set is among the most important of the artist’s surviving works. Each painting was executed in the gyō mode, indicating a speedy brush with rounded strokes. The terms shin (formal), sō (cursive), and gyō (semicursive), borrowed from calligraphy terminology, are terms commonly used by connoisseurs to describe brushwork in ink paintings.
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Yamamoto Baiitsu — 山本梅逸筆 四季山水図|Landscapes of the Four Season
Rokunyo|Ike Taiga — 池大雅筆 「大雅堂画弁題詩」|Evening Glow in a Mountai
Chōbunsai Eishi — 蜀山人(大田 南畝)賛 雪・月・花図 |Snow, Moon, and Cherry
Kano Tan'yū|Kiyohara Yukinobu|Kano Naonobu — 狩野探幽・狩野尚信・清原雪信
Kano Kōi
Kano Tsunenobu — 狩野常信筆 滝見業平図|Nunobiki Waterfall, Mount Yoshi
Tani Bunchō (Japanese, 1763–1841) — Four Motifs from the Eig
An Gyeon — 해질녘 산사의 종소리 조선|煙寺暮鍾圖 朝鮮|Evening bell from mist-sh
Shinozaki Shōchiku|Ike Taiga|Okubo Shibutsu
Japan — Ôhi (Stole)
Unkoku Tōyo (Japanese, 1612–1688?) — Landscapes
Ikeda Koson — 池田孤邨筆 四季花鳥画|Flowers and Birds of the Four Seas