Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Having expired at a young age from venereal disease, Hogarth’s harlot does not appear in the final plate of the series. She is represented by her coffin, which serves mainly as a bar. The drunkenly distraught figure at the lower right may be Moll’s former madam, but otherwise the company at the wake appears mostly unaffected by the death. One woman tries on a bonnet, likely Moll’s, before a mirror, while a parson gropes a prostitute and spills his drink.
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Nicolas Joseph Voyez — The Director
Alfred Capel Cure — [photo-reproduction of Hogarth's print i
Thomas Rowlandson — Doctor Syntax Returned from His Tour, fr
Bernard Picart|Charles Antoine Coypel — Plate 27: Doña Rodri
Charles Nicolas Varin — The Pleasant Concert
Simon Francis Ravenet — Plate Four, from Marriage à la Mode
William Hogarth|Dr. John Hoadley — A Rake's Progress, Plate
Dominique-Vivant Denon — Conversation, a Family Drawing and
Philip Dawe|R. Sayer and J. Bennett — A Society of Patriotic
Gérard Scotin, II — Plate Six, from Marriage à la Mode
Dominique-Vivant Denon — Conversation, a Family Drawing and
Bernard Baron — Evening, plate three from The Four Times of