● On view now — Gallery 237
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This relief represents the upper of two surviving panels from the altar of the Holy Sacrament in the Roman basilica of Santa Maria Maggiore (the second panel remains in the church). Dismantled in 1573, the altar was one of a number of improvements in the church instituted by Cardinal Guillaume d’Estouteville, archpriest of Santa Maria Maggiore during much of the 15th century. As his name implies, Isaia came from a family of stone carvers in Pisa and was active in Rome from 1428. He produced a number of tombs and altars there, although the majority no longer survive. Between 1455 and 1458, he collaborated on one of the grandest sculptural projects of the century, the Arch of Alfonso I of Aragon in Naples.
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Ancient Roman — Cinerary Urn
French — Capital
Ancient Roman — Panel from a Sarcophagus Depicting the Abduc
Ancient Roman — Relief Plaque
Ancient Roman — Side Panel of a Sarcophagus
Ancient Greek — Fragment of a Funerary Naiskos (Monument in
Pakistan
Khyber Pakhtunkhwa Province, ancient region of Gand
Painted limestone funerary stele with a seated man and two s
Italian — Capital with Eagles
Francesco Primaticcio — Vulcan Forging the Darts of Cupid
Lombard — Capital with Anointing of David
Lombard — Capital with Man Fighting Lion (A) and Riding Grif