Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
This print is part of a bound volume of works illustrating the a narrative of the Apocalypse, taken from the Revelation of Saint John in the Bible. The 23 engravings in the series occupied the artist for a number of years and represent his greatest artistic achievement. The museum's volume is one of only seven known complete sets. Jean Duvet was one of the first major printmakers in France and one of the most original artists of the 1500s. Although he worked mostly in the provincial city of Langres, he became aware of Italian art through the circulation of prints—notably those of Marcantonio Raimondi. His solidly modeled human figures reflect the influence of the Italian High Renaissance. Duvet, however, developed an idiosyncratic, highly artificial style with crowded compositions that ignore rational space in favor of ornamental surface patterns.
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Jean Duvet — Henri II, King of France, Between France and Fa
Balthazar Moncornet|Anonymous|Peter Paul Rubens — The Trophy
Jean Duvet — Marriage of Adam and Eve
Lucas van Doetecum — The Resurrection of Christ
Antonio Lafreri|Anonymous — Speculum Romanae Magnificentiae:
Jean Duvet — The Marriage of Adam and Eve
Hieronymous Wierix — St Michael Triumphing Over the Dragon
Andrea Andreani — Triumph of Caesar
Jan Sadeler, I — Flagellation, from Passion of Christ
Anonymous, Italian, Lombard, 16th century — Design for a Wal
Agostino Veneziano (Agostino dei Musi)|Raphael (Raffaello Sa
Anonymous|Antonio Lafreri|Claudio Duchetti — Speculum Romana