Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This massive vertical two-sheet etching makes Jesus Christ’s triumphant return from the dead truly monumental through both its scale and stark network of raised black lines. The rough-hewn feel of the technique befits this reworking of Frans Floris’s hypermuscular angels and blindingly bright vision of the ascending Christ. The soldiers recoil in amazement, as one attempts to shield himself from the light. Floris is credited at lower right. The etcher, Lucas van Doetecum, is unnamed; he worked in Antwerp for the publisher Hieronymous Cock, who signed his name just after the Latin poem celebrating death’s final vanquishing.
Be the first to share your thoughts.
Sign in to join the discussion.
Hendrick Goltzius — The Resurrection, plate twelve from The
Albrecht Dürer — The Sudarium Displayed by an Angel
Jean Duvet (French, 1485–1561) — The Apocalypse: St. John S
Balthazar Moncornet|Anonymous|Peter Paul Rubens — The Trophy
René Boyvin|Francesco Primaticcio — Speculum Romanae Magnifi
Hubert Gerhard|Lucas Kilian|Peter Candid (Pieter de Witte, P
Melchior Meier — Resurrection of Christ, encompassed by an a
Jean Duvet (French, 1485–1561) — The Apocalypse: The Angel
Pierre Brébiette (French, c. 1598-c. 1650) — St. George Prep
Bernardino Passeri|Gijsbert Van Veen — Martyrdom of Saint Ca
Hendrick Goltzius (Dutch, 1558–1617) — The Passion: The Resu
Giulio Bonasone (Italian, c. 1510–after 1576) — The Resurrec