● On view now — 101B Prints & Drawings
Cleveland Museum of Art, Cleveland · verified July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
This print is part of a bound volume of works illustrating the a narrative of the Apocalypse, taken from the Revelation of Saint John in the Bible. The 23 engravings in the series occupied the artist for a number of years and represent his greatest artistic achievement. The museum's volume is one of only seven known complete sets. Jean Duvet was one of the first major printmakers in France and one of the most original artists of the 1500s. Although he worked mostly in the provincial city of Langres, he became aware of Italian art through the circulation of prints—notably those of Marcantonio Raimondi. His solidly modeled human figures reflect the influence of the Italian High Renaissance. Duvet, however, developed an idiosyncratic, highly artificial style with crowded compositions that ignore rational space in favor of ornamental surface patterns.
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The Fall of Babylon
The Crucifixion
Huntsman Presenting a Gift to a King
The Apocalypse: St. John Sees the Four Riders
The Apocalypse: The Fall of Babylon
The Apocalypse: The Winepress of the Wrath of God
Christ on the Cross between the Two Thieves
The Apocalypse: The Angel in the Sun Calling the Birds of Pr
Jean Duvet — Marriage of Adam and Eve
Jean Duvet — The Marriage of Adam and Eve, from The Apocalyp
Jean Duvet — The Marriage of Adam and Eve
Andrea Andreani (Italian, about 1558–1610) — The Triumph of
Giovanni Antonio da Brescia (Italian) — Allegory of the Fall
Andrea Andreani (Italian, about 1558–1610) — The Triumph of
Marcantonio Raimondi|Jacopo Ripanda — The triumph of a Roman
Jacopo de' Barbari — The sacrifice to Priapus (the larger ve
Giorgio Ghisi (Italian, 1520–1582) — The Calumny of Apelles
Jean Mignon (French, active c. 1535–55) — The Judgment of Pa
Giorgio Ghisi (Italian, 1520–1582) — The Death of Procris
Andrea Andreani|Andrea Mantegna|Bernardo Malpizzi — Sheet 5: