Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
This print is part of a bound volume of works illustrating the a narrative of the Apocalypse, taken from the Revelation of Saint John in the Bible. The 23 engravings in the series occupied the artist for a number of years and represent his greatest artistic achievement. The museum's volume is one of only seven known complete sets. Jean Duvet was one of the first major printmakers in France and one of the most original artists of the 1500s. Although he worked mostly in the provincial city of Langres, he became aware of Italian art through the circulation of prints—notably those of Marcantonio Raimondi. His solidly modeled human figures reflect the influence of the Italian High Renaissance. Duvet, however, developed an idiosyncratic, highly artificial style with crowded compositions that ignore rational space in favor of ornamental surface patterns.
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The Fall of Babylon
Huntsman Presenting a Gift to a King
The Apocalypse: St. John Sees the Four Riders
Marriage of Adam and Eve
The Apocalypse: The Winepress of the Wrath of God
Christ on the Cross between the Two Thieves
The Apocalypse: The Angel in the Sun Calling the Birds of Pr
The Apocalypse: The Dragon with Two Horns and the Beast wit
Jean Duvet — The Fall of Babylon, from the Apocalypse
Jean Duvet — The Measurement of the Temple, from the Apocaly
Jean Duvet — The Angel Gives Saint John the Book to Eat, fro
Hans Baldung (German, 1484/85–1545) — Christ Carried to Heav
Domenico Campagnola — The Massacre of the Innocents (Left si
Giulio Campagnola (Italian, 1482–1515) — The Triumphs of Cae
Matteo di Giovanni (Italian, c. 1435–1495) — The Conversion
Alart du Hameel (Netherlandish, c. 1449–c.1507) — St. Christ
Daniel Hopfer (German, c. 1470–1536) — The Calvary
Jean Duvet — The Angel in the Sun calling the Birds of Prey,
anonymous — Oorlog met Luik
Andrea Mantegna (Italian, about 1431–1506) — Descent into Li