● On view now — Gallery 151
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
As the name suggests, the Gigantomachy was the struggle between and the Giants and the Olympian gods, who were led by Zeus. In flowing robes, a god and goddess capture a Giant, depicted with wings and serpent-like features, to deliver the final blow in this epic battle. These three animated figures were probably once part of a series of ornamental covers called antefixes, which were placed along the lowest row of roof tiles on a small building, probably a temple. Etruscans often decorated their buildings with brightly colored sculptural compositions based on Greek mythology.
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Jean-Louis Lemoyne — The Fear of Love
Ancient Roman — Statuary Group of Three Satyrs Fighting a Se
Aimé-Jules Dalou — Bacchus Consoling Ariadne
Spanish — Saint John the Baptist
Filippo Parodi — Pietà
Aimé-Jules Dalou — Science
China — Armored Guardian King (Tianwang) Trampling Demon
Italy — Lion Attacking Horse
India
Uttar Pradesh, Mathura region — Double -Sided Capital
Austrian or south German — Stove Tile with Saint George and
Joseph-Charles Marin — Shepherd and Shepherdess
Flemish — Aeolus and the Winds