● On view now — Gallery 151
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
In Etruria, bronze mirrors were luxury objects designed primarily for women, who were buried with them for use in the afterlife. The front of the bronze disk would have been highly polished in order to reflect the viewer’s image. This example has a handle in the form of a winged Lasa, a minor deity associated with Turan, the Etruscan goddess of love. Lasa holds an alabastron (container for scented oil) in her left hand. Because Lasa is thought to have been associated with funerary rites, the alabastron might evoke the ceremonial anointing of the dead. An image of Eros, the god of love, is engraved on the back of this reflective disk. Eros was a fitting subject for bronze mirrors, which were given primarily to women, likely as wedding presents. Here, with hammer firmly in hand, Eros stands among carpentry tools, including a second hammer, an adze, a double axe, a chisel, and possibly a double saw. On the left is an amphora (storage jar) and a table. The significance of this unusual scene is not yet understood, but its selection might reflect the Etruscan taste for obscure and rarely illustrated mythological episodes.
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Chimú-Inca — Hair Ornament or Pin with Triangular Head and R
China — Beaker
China — Beaker
Germany — Candlestick
Colima — Pendant in the Form of a Clamshell
Ancient Roman — Statuette of Venus
Moche — Blade with Two Figures in Presentation Scene
Lambayeque — Ceremonial Knife (Tumi) With Figural Scene and
China — Goblet (jia)
China — Lamp Stand
Ancient Mediterranean — Bottle
Ancient Roman — Bottle