● On view now — Gallery 222
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Having been abandoned on the Greek island of Naxos, the mythological princess Ariadne was discovered by Bacchus, god of wine, who fell in love with her. In Dalou’s plaster she is tenderly awakened by the deity while a mischievous faun (a half-human, half-goat creature) attempts to distract the couple with an offering of grapes. Aimé-Jules Dalou was a protégé of the sculptor Jean-Baptiste Carpeaux and spent his early years studying the art of the 18th century. His first success came with images of modern life, such as nursing mothers and infants, but he later undertook allegorical subjects and historical statues for public commissions in France’s Third Republic. This plaster was exhibited at the annual Paris Salon in 1892 and later used as the model for a marble version, now at the Clark Art Institute in Williamstown, Massachusetts.
Be the first to share your thoughts.
Sign in to join the discussion.
Cristoforo Stati — Samson and the Lion
Auguste Rodin — Eve after the Fall
Joseph-Charles Marin — Shepherd and Shepherdess
Manifattura Ginori (Sesto Fiorentino, Italy) — The Abduction
Giovanni Maria Benzoni — Flight from Pompeii
Italian — Hercules and Antaeus
Flemish — Aeolus and the Winds
Ferdinando Tacca — Bireno and Olimpia
Jean-Louis Lemoyne — The Fear of Love
Guiseppe Piamontini — Neoptolemus and Polyxena
Ancient Roman — Statuary Group of Three Satyrs Fighting a Se
Ancient Etruscan — Architectural Relief Depicting the Gigant