● On view now — Gallery 150
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
In 1488, an artwork matching the description of this small, powerful sculptural group was discovered in Rome and likely sold to Lorenzo de’ Medici (1449–1492). It depicts a slithering serpent ensnaring and squeezing the life out of three hapless satyrs. One of them collapses, almost expired; the other two writhe in agonizing death throes. In a bold and dynamic composition, the two kneeling creatures lean away from, but twist toward, one another. The diagonal lines created by the kneeling satyrs converge at their companion, whose fallen body extends the full width of the base. The Renaissance artists Antonio Pollaiuolo (1433–1498) and Michelangelo Buonarotti (1475–1564) may have studied the group and incorporated elements of it into their own compositions.
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Cristoforo Stati — Samson and the Lion
Ancient Etruscan — Architectural Relief Depicting the Gigant
Aimé-Jules Dalou — Bacchus Consoling Ariadne
Joseph-Charles Marin — Shepherd and Shepherdess
Italian — Hercules and Antaeus
Italian — Hercules and Lichas
Guiseppe Piamontini — Neoptolemus and Polyxena
Italy — Joseph and Potiphar's Wife
Ferdinando Tacca — Bireno and Olimpia
Workshop of Massimiliano Soldani-Benzi — Pietà
John Deare — Bacchus Feeding a Panther
Clodion, (Claude Michel) — Bust of a Satyr