Daniel Hudson Burnham

Plate 49 from Plan of Chicago 1909: Chicago. View of the City from Jackson Park to Grant Park, Looking Towards the West. The proposed shore treatment as a park enclosing a waterway (or a series of lagoons) is shown, together with the enlarged yacht harbor, recreation piers, and a scheme for Grant Park.

1907
Watercolor with graphite on cream wove paper, discolored to tan, laid down on canvas
103.5 × 480 cm (40.7 × 189 in)

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In the collection of Art Institute of Chicago, Chicago · as of July 2026

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FROM THE ART INSTITUTE OF CHICAGO’S CATALOG

“Make no little plans,” Daniel H. Burnham reputedly exclaimed around the time he unveiled his Plan of Chicago , the first comprehensive metropolitan plan in the United States. Providing the vocabulary for Chicago architecture through the 1920s, the project was the legacy of Burnham, whose renown in large-scale city planning began when he was chief of construction for Chicago’s 1893 World’s Columbian Exposition. Commissioned by the Commercial Club of Chicago, the plan was developed with the assistance of architect Edward H. Bennett, who elaborated parts of it after Burnham’s death in 1912 and was responsible for executing many of its recommendations. Emulating the grand classical design of European cities, Chicago was to become “a Paris by the Lake.” Features included the development of Chicago’s lakefront and Lake Shore Drive, the construction of Grant Park, and the transformation of Michigan Avenue into a premier commercial boulevard following the completion of the Michigan Avenue bridge. Eleven of the seventeen perspective views were rendered by Burnham’s frequent collaborator, the Beaux-Arts-trained Jules Guérin. The draftsman’s stunning, impressionistic views, with their unusua

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