Francisco José de Goya y Lucientes
Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Plate 3 of The Caprices features a mother with her two children who are frightened by a blanketed figure of el coco (the bogeyman) in the foreground. The mother’s expression contrasts with those of her children: she smiles in gratitude and appreciation. Goya is criticizing the common practice of using fear to keep children well behaved. The print also contains a spelling error, as Goya spells viene , the Spanish verb for “to come,” incorrectly. This is a common mistake due to similarity in sounds between the Spanish b and v . He corrected it in later editions of the print.
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The Hanged Monk
Friar Pedro Wrests the Gun from El Maragato
Friar Pedro Shoots El Maragato as His Horse Runs Off
Portrait of Isidoro Maiquez
Winter Scene
Friar Pedro Offers Shoes to El Maragato and Prepares to Push
Friar Pedro Clubs El Maragato with the Butt of the Gun
Friar Pedro Binds El Maragato with a Rope
Goya (Francisco de Goya y Lucientes) — Plate 3 from "Los Cap
Francisco de Goya (Spanish, 1746–1828) — Here Comes the Boge
Goya (Francisco de Goya y Lucientes) — Plate 34 from "Los Ca
Goya (Francisco de Goya y Lucientes) — Plate 47 from "Los Ca
Francisco de Goya (Spanish, 1746–1828) — Sleep Overcomes The
Goya (Francisco de Goya y Lucientes) — Plate 52 from "The Di
Goya (Francisco de Goya y Lucientes) — Plate 17 from "Los Ca
Goya (Francisco de Goya y Lucientes) — Plate 31 from "Los Ca
Goya (Francisco de Goya y Lucientes) — Plate 16 from "Los C
Goya (Francisco de Goya y Lucientes) — Plate 17 from 'Los Ca
Francisco de Goya (Spanish, 1746–1828) — A Gift for the Mast
Goya (Francisco de Goya y Lucientes) — Plate 45 from "Los Ca