Francisco José de Goya y Lucientes
● On view now — Gallery 220
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
In small, lively paintings made for his own pleasure or for a few discerning patrons, Francisco de Goya explored satirical and popular aspects of Spanish life. This series was inspired by a contemporary event, the capture of notorious criminal El Maragato by Friar Pedro de Saldivia in 1806. After escaping from prison, El Maragato spent two months stealing food, guns, and money before trying to take Friar Pedro and other innocent people hostage. The friar outsmarted the bandit, however, seizing his gun, shooting him in the thigh as he tried to flee, and finally tying him up. This story was extremely popular in the early 19th century and Spanish artists memorialized it in images, poems, and songs.
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The Hanged Monk
Friar Pedro Wrests the Gun from El Maragato
Friar Pedro Shoots El Maragato as His Horse Runs Off
Portrait of Isidoro Maiquez
Winter Scene
Friar Pedro Offers Shoes to El Maragato and Prepares to Push
Friar Pedro Binds El Maragato with a Rope
El Maragato Threatens Friar Pedro de Zaldivia with His Gun
Alessandro Magnasco — Three Camaldolese Monks in Ecstatic Pr
Gaetano Gandolfi — Saint Margaret of Cortona, Saint James of
Anonymous, Italian, 17th or 18th century — Saint Francis
Francisco de Goya (Spanish, 1746–1828) — The Proverbs: The
Giovanni Benedetto Castiglione (Il Grechetto) — Saint Franci
Peter Paul Rubens — Saint Francis
Giovanni Battista Tiepolo — Illustration for a Book: Recept
Giuseppe Maria Crespi — A Monk Preaching
Goya (Francisco de Goya y Lucientes) — A woman attacking a s
Pierre Landry|Laurent de La Hyre|D. Thierry — St. Francis (?
Giovanni Girolamo Savoldo — The Death of St. Peter Martyr
Lorenzo Tiepolo — The Miracle of St. Anthony of Padua