Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This female angel is one of many that Abbott Handerson Thayer painted during his career. Originally a painter of animals, Thayer created portraits and then allegorical figures like this example after training in Paris. The artist wrote of his seraphic subjects, “I have put on wings probably more to symbolize an exalted atmosphere . . . where one need not explain the action of his figures.” Other late 19th-century artists such as Augustus Saint-Gaudens also represented angelic female figures to personify what they perceived as the virtues of women. In Winged Figure , Thayer mixed this idealism with a level of naturalism, particularizing the woman’s features and giving her form a sense of mass and gravity.
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Thomas Wilmer Dewing (American, 1851–1938) — Gloria
Abbott Handerson Thayer (American, 1849–1921) — Hebe
Will Hicock Low — Keats' Last Sonnet
John La Farge (American, 1835–1910) — Fortune
William Young Ottley — Vision of the True Cross Appearing to
Pierre-Auguste Renoir — The Source (La Source)
Tommaso Conca — Immaculate Conception
Will Hicock Low — Sonnet: "When I have fears that I may ceas
John Douglas Miller — The First Whisper of Love
Louis Loeb (American, 1866–1909) — Jessica
Henri Fantin-Latour — Réveil
John Faed — Hamlet and His Father's Ghost