Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
In this composition the winged figure of Glory descends from a starry sky. She holds a palm leaf, often associated with martyrdom and greatness, in one hand, and small flowers flow out of the other. In other versions of this print Fantin pays homage to Richard Wagner by including the composer's name on a gravestone below Glory's feet. Such an image suggests the composer's immortality achieved through his masterful, enduring compositions.
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Henri Fantin-Latour (French, 1836–1904) — À Eugene Delacroix
Henri Fantin-Latour (French, 1836–1904) — Awakening
Henri Fantin-Latour (French, 1836–1904) — Le Paradis et la P
Henri Fantin-Latour (French, 1836–1904) — À Johannes Brahms
Henri Fantin-Latour (French, 1836–1904) — Le Paradis et la P
Henri Fantin-Latour (French, 1836–1904) — Venus Anadyomene
Henri Fantin-Latour (French, 1836–1904) — Sarah la Baigneuse
Henri Fantin-Latour (French, 1836–1904) — Finale of the Rhin
Henri Fantin-Latour (French, 1836–1904) — Dancing
Théodore Chassériau — Frontispiece, from Othello
Henri Fantin-Latour (French, 1836–1904) — Danses
François-Nicolas Chifflart — Cover for Eaux Fortes Nouvelles