Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Long-armed gibbons form a chain to reach down from a tree, hoping to touch what they believe is the moon. In fact, the orb remaining beyond their grasp is the full moon’s reflection in the still surface of a pond or lake. The image is a common metaphor for the deluded mind in Buddhist thought. Gibbons do not live in Japan but were known to Japanese painters of the premodern era through paintings brought from China.
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Sesson Shūkei 雪村周継 — 竹猿猴図 (Chikuenkō zu)|Gibbon and Bamboo
Mori Sosen (Japanese, 1747–1821) — Monkeys on a Rock Ledge
Gyokutei Katsu (Japanese) — Monkeys
Kenkō Shōkei (Japanese, active 1478–1506) — Kingfisher Perch
Genga (Japanese) — Bamboo in Rain
Yishan Yining [Issan Ichinei] (Chinese, 1247–1317) — Reeds a
Mori Sosen (Japanese, 1747–1821) — Monkeys in a Cherry Tree
Mori Yūsen
Xia Gui (Chinese, active c. 1209–c. 1243) — Swinging Gibbon
Tawaraya Sōtatsu (Japanese, c. 1570–c. 1640) — The Bird's Ne
Kawanabe Kyôsai — Night Procession of Goblins (Hyakki yagyo
Utagawa Hiroshige II (Japanese, 1826–1869) — Stork, Sun, and