Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
East Asian paintings from China, Korea, and Japan were frequently conceived as sets of multiple images. These sets might have been composed for specific palace or temple rooms, or to portray a specific theme, such as the four seasons. Over time, the original intent of such sets is often lost through damage, changes in ownership, or a variety of other reasons. The identity of the artist can also be lost, but then, sometimes, retrieved. This pair of ink paintings has traditionally been labeled as Japanese and attributed to the 16th-century painter Genga. Since there are no seals or signature of the artist on the painting, this attribution was based on comparisons of brush style with paintings known to be by Genga. More recent study indicates that while the 16th century is an appropriate time frame for the pair, the precise cultural identity of the artist is not certain after all. The dark, eccentric shapes of the rocks and bamboo clusters and the dramatic tonal contrasts evident throughout the composition point to either Korean authorship or influence upon a Japanese painter of the period.
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Bamboo Landscape
Landscape with Woodcutters Returning Home
Kenkō Shōkei (Japanese, active 1478–1506) — Lonely Temple an
Gao Tao (Chinese, 1100s) — Birds in a Grove in a Mountainous
Ma Yu (Chinese, active 1706–1724) — Bamboo in the Wind
Tawaraya Sōtatsu (Japanese, c. 1570–c. 1640) — The Bird's Ne
Ink Bamboo
Wang Jianzhang (Chinese, active 1621–1662) — Solitary Colors
Luo Zhichuan (Chinese, active 1280s–1320s) — Carrying a Qin
Lan Ying (Chinese, 1585–after 1664) — Clearing Autumn Mists
Liu Du (Chinese, active c. 1628-after 1653) — Landscape in t
Unidentified artist