Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Themes derived from the Dance of Death, a medieval allegory in which Death overcomes people of all ages and levels of society, pervaded German art in the late medieval and Renaissance periods. As the first true chiaroscuro woodcut, Hans Burgkmair's compelling depiction of lovers torn apart by death is a work of pivotal importance. It represents a major cognitive leap on the part of the artist, who was the first to compose an organic three-dimensional composition by juxtaposing and overprinting three tones added by three different wood blocks.
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Hans Burgkmair (German, 1473–1531) — The Lovers Surprised by
Hans Burgkmair|Jost de Negker — Lovers Surprised by Death
Hans Baldung (called Hans Baldung Grien) — Christ with the I
Hans Baldung (called Hans Baldung Grien) — Christ with the I
Hans Holbein the Younger|Hans Lützelburger — The Abbess, fro
Hans Holbein the Younger (German, active England and Switzer
Wenceslaus Hollar — The Knight and Death, from The Dance of
Hans Baldung (called Hans Baldung Grien) — Christ with the I
Hans Holbein the Younger (German, active England and Switzer
Hans Holbein the Younger|Hans Lützelburger — Expulsion from
Lucas Cranach the Elder — The Archangel Michael Weighing a S
Albrecht Dürer — Hercules Conquering the Molionide Twins