Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Hans Holbein’s famous Dance of Death woodcut series of 1538 (augmented in 1545) illustrated the medieval trope of the inescapability of mortality, regardless of one’s social rank or piety. These later etched copies by Hollar (1920.2251 and 1920.2259) capture the flavor of the original, showing a Landsknecht at two customary activities: hoisting his two-handed sword on the battlefield and gambling indoors. The fact that the soldier’s opponent in both cases is Death personified does not bode well for his chances.
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Portrait of Albrecht Dürer, at the age of 26
Head of a Young Black Boy in Profile to the Right
Portrait of Pietro Aretino
Woman with dark hair and a bow in profile to the left
Woman with houpette on forehead turned to left
Woman with circular lace ruff
The Seasons
Unus Americanus ex Virginia (An American from Virginia)
Wenceslaus Hollar|Hans Holbein the Younger — The Knight, fro
Hans Holbein the Younger|Hans Lützelburger — The Knight, fro
Hans Holbein the Younger (German, active England and Switzer
Hans Holbein the Younger|Hans Lützelburger — The Nobleman, f
Hans Holbein the Younger (German, active England and Switzer
Hans Holbein the Younger|Hans Lützelburger — The Count, from
Hans Holbein the Younger (German, active England and Switzer
Hans Holbein the Younger (German, active England and Switzer
Hans Holbein the Younger|Hans Lützelburger — The Shop-keeper
Albrecht Dürer — Hercules and Cacus
Hans Holbein the Younger (German, active England and Switzer
Hans Holbein, the younger — The Monk