Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This unique woodcut is printed in black and powdered gold inks on vellum. It may be the most opulent result of the Emperor Maximilian’s competition with Elector Frederick the Wise of Saxony and his court artist, Lucas Cranach. That contest produced an early form of chiaroscuro printing, a technique using black line blocks and colored tone or blocks for lighting effects. Indeed, as the only known impression of the Equestrian Portrait printed in black and gold on vellum, the Chicago print may well be the dedication impression sent to Frederick.
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Hans Burgkmair — Emperor Maximilian I on Horseback
Hans Burgkmair (German, 1473–1531) — Equestrian Portrait of
Lucas Cranach the Elder — St George on Horseback with the De
Hans Burgkmair — Saint George on Horseback
Antonio Tempesta — Plate 11: Titus Vespasian on horseback fa
Hans Burgkmair — Verso of a Sheet with Philip the Belle, fro
Lucas Cranach (German, 1472–1553) — Saint George Standing
Hans Burgkmair|Jost de Negker — The Three Heathen Heroes (Di
Antonio Tempesta|Giovanni Battista di Lazzaro Panzera da Par
Augustin Hirschvogel (German, 1503–1553) — Sigismund II, Kin
Lucas Cranach the Elder — Saint George Standing
Albrecht Dürer — The Tournament on Horseback