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In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The final installment to Georg Pencz’s Italianate ode to Petrarch offers a dramatic rendition of the Last Judgment. Christ, the Evangelists, the Saints, and the Saved rise on clouds above the earthly turmoil of the Apocalypse. Rome burns to the left, and amid the skeletons, the Whore of Babylon ministers to the Damned below. The Parisian printseller Pieter Mariette II’s signature and the date, 1666, appear at the lower right in brown ink; clearly Pencz’s Triumphs series remained visually effective and eminently collectible over a century after its creation.
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The Seige of Carthage
The Triumph of Death on Time, from The Triumph of Petrarch
The Life of Jesus Christ: The Descent of the Holy Ghost
The Triumph of Death on Time, from The Triumph of Petrarch
The Triumph of Death, plate five from The Triumphs of Petrar
Tarquinius Rapes Lucretia, from Scenes from Roman History
Suicide of Lucretia, from "Scenes from Roman History"
Christ Sleeping During the Storm on Lake Tiberias, from The
Master of the Die — Cupid Begging Jupiter for Mercy for Psyc
Simone Cantarini — Jupiter, Neptune and Pluto Offering their
Mathäus Küsel|Mauro Oddi — Leopold I of Austria as Jupiter w
Cornelis Cort|Giulio Clovio — The Conversion of Saint Paul
Master of the Die — Venus and Cupid Pleading Their Cause in
Nicolaus van Aelst|Antonio Tempesta — Plate 6: The Israelite
Nicolaus van Aelst|Antonio Tempesta — Plate 7: The Egyptians
Giulio Bonasone — An allegory of the rising sun, a naked man
Antonio Salamanca|Master of the Die|Michiel Coxie (I) — Plat
Master of the Die — Venus Complains to Jupiter
Antonio Tempesta|Johannes Baptista Vrints — Plate 8: Alexand
Hieronymous Wierix — The Last Judgment