Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The back of this impression of Georg Pencz’s Triumph of Death bears the signature, dated 1676, of Pierre Mariette II, an illustrious connoisseur and printseller who seems to have found the series to be a good investment. Mariette purchased at least one copy of the set before, as the British Museum now possesses both the Triumph of Love and The Triumph of Death signed by Mariette and dated 1666. This image itself is one of the most dramatic in the series, with a scythe-wielding skeleton embodying Death and a terrifying Hellmouth reminiscent of the work of Hieronymus Bosch opening in the distance.
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The Seige of Carthage
The Triumph of Death on Time, from The Triumph of Petrarch
The Life of Jesus Christ: The Descent of the Holy Ghost
The Triumph of Death on Time, from The Triumph of Petrarch
Tarquinius Rapes Lucretia, from Scenes from Roman History
Suicide of Lucretia, from "Scenes from Roman History"
Christ Sleeping During the Storm on Lake Tiberias, from The
Portrait of John Frederick I, "The Magnanimous," Elector of
Giorgio Ghisi — The Vision of Ezekiel
Antonio Tempesta|Otto van Veen — Plate 12: Pulling a Vessel
Pieter Cool — Chariot with the Seven Deadly Sins
Antonio Tempesta|Otto van Veen — Plate 17: The Romans Misled
Philips Galle — The Discovery of Holofernes's Corpse, plate
Antonio Tempesta|Otto van Veen — Plate 29: Civilis Floods th
Antonio Tempesta|Otto van Veen — Plate 34: The Romans Burnin
Antonio Tempesta|Nicolaus van Aelst — Plate 10: The Fall of
Giulio Romano|Marco Dente|Raphael (Raffaello Sanzio or Santi
Antonio Tempesta|Otto van Veen — Plate 14: New Attack on the
Antonio Tempesta|Otto van Veen — Plate 16: Roman Captives Be
Jacques Callot|Matteo Rosselli — Attaque des Forts Avancés d