Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Simone Cantarini first designed this print for the frontispiece of a doctoral thesis in 1640. Originally the image included the coat of arms of Cardinal Pier Maria Borghese as well as that of the author’s family. Perhaps the scholar was praying for a successful doctoral defense with the help of this powerful dedicatee. Cantarini depicted Jupiter approaching in an eagle-drawn chariot alongside Neptune and Pluto, who offer their crowns of immortality to Borghese. After his death in 1642, the cardinal’s coat of arms was scraped out, but the symbols of his virtue and his vocation remain: column (power); scales (justice); vases (temperance); mirror and serpent (prudence); and his cardinal’s hat.
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Male Head
Jupiter, Neptune, and Pluto offering their crowns to the arm
Sketches of Male Nudes, Legs (recto); Sketches of Male Nudes
Half-Figure of a Youth with His Right Arm Raised
Saint Sebastian
Madonna and Child seated on clouds and surrounded by angels,
The "Quos Ego"
Jupiter, Neptune, and Pluto offering their crowns to the arm
Simone Cantarini (Italian, 1612–1648) — The "Quos Ego"
Master of the Die — Cupid Begging Jupiter for Mercy for Psyc
Francesco Salviati — The Death of the Children of Niobe
Pieter Soutman|Peter Paul Rubens — The Fall of the Damned
Mathäus Küsel|Mauro Oddi — Leopold I of Austria as Jupiter w
Master of the Die — Venus Complains to Jupiter
Master of the Die|Raphael (Raffaello Sanzio or Santi)|Antoni
Léon Davent — Cupid with Bandaged Eyes
Antonio Fantuzzi|Francesco Primaticcio — The Fall of Phaeton
Giuseppe Scolari — Rape of Persephone with Pluto on horsebac
Pietro Testa|Pietro Santi Bartoli — Io at the left as a cow,
Francesco Primaticcio|Léon Davent — Cupid being led blindfol